Category: Essays

The Great Undoing

White people want to fight for the reputation of America. Hence why they have an issue with Colin Kaepernick kneeling, why they have a problem with us “ungrateful Negroes”.

After all, it’s their ancestors who lynched people, sexually assaulted people, murdered people—“It’s not us!”

What belies this pseudo dialogue are questions which greater White establishment only want obedient an obedient answer to:

Shouldn’t you be happy with what we gave you?

If you’re happy with that, I [as a White person] still remain to be good.

By this logic, whiteness can continually, inherently ‘be good.’ Even though James Baldwin said, “As long as you believe you are white, there is no hope for you.”

The Great Undoing is erasure: hiding history. In doing so, you [as White establishment] preserve the idea of whiteness so much so even the immigrant, non-White peoples whom come to this nation from all over the world, aspire to whiteness! To the point they will disavow cultural knowledge, knowledge of self, to be accepted, preferred by White people!

The majority of White people don’t want to relinquish the which allows them to control the greater narrative, individuality, the ability to claim both group authority and individualism! However, greater white culture desires to strip individuality from non-White people! In doing so, autonomy–freedom!–is limited to and for White people.

Which means we (as non-White people) again are fighting over the right to add to or correct the greater, more palatable narrative. When White people screech, “Who is they?“

They know exactly who they are!

They are the White people who perpetuated some of the most horrible atrocities in human history that you were descended from!

Make no mistake we know the root of the Transatlantic Slave Trade start in Europe; Bishop Bartolomé de las Casas in 1515 said Black people didn’t have souls. Ergo, we are not human. If we are not human, then it is easier to brutalize us.

Even in death we are not safe.

For The Great Undoing, why should Black people be mad, right? One of the tenants of White Supremacy is the expectation of comfort! Being granted the right to never be confronted, accountable, plausible responsibility to anything whiteness cannot profit from.

Why should we as Black people want to rock the boat? Why talk about these things? Why bring it up? The answer to

Y’all have a good here! You’re free now! You’re not mad anymore are you?

Toni Morrison said racism is a distraction. It keeps you from doing your work. This is where us as writers an artist come in! We have the power to go in and out amongst people, in and out of rooms, to make these observations, declarations which other people may be scared to say, or don’t know how to say.

Which is why they still want Black people whose ancestors were enslaved to a land by which they don’t know their original language or names to pledge allegiance.

Don’t you find it interesting?

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Read. Black & Woman.

This is the essay which will be in the anthology STORIES OF THE AMERICAN EXPERIENCE to be published by the St. Louis County Public Library. -JBH

            I am a Black woman.

I am a Black woman whose grandparents were enslaved, sharecroppers, and whose parents are college educated.  The American Experience for me is based around words, narratives, and oral traditions—it is no wonder I am a writer.

            With this artistic designation, I am aware the thing which I am good at, have gotten accolades for, recognition regarding—would have gotten me murdered 159 years ago! For the desire of learning, for my natural inclination and proclivity for language, would have gotten me murdered.

            When I reconcile the American Experience with my cultural and personal history, I am forced to admit the same thing which has freed me, killed my ancestors. The dexterity of language, my verbal acrobatics, and my slick mouth would have made me a ‘woman most unruly’…if I was White. Since I have no hope of whiteness, as a Black woman, I would have been the mare needing to be broken under field work, whips, or tree limbs.

            I reconcile that history, that most American ancestry for the enslaved, and I determine to say everything that my grandparents could never say. I make it an effort put pen to paper, letters on screen for visibility.

Or spite. Either will do.

Nikki Giovanni says, “Rage is to writers what water is to fish.” Indeed, Nikki. It is that rage I seek to understand, to source, and which fuels the things which need to be said! I grab it, dig it up, and put fiction, prose, or poem to it.

My way has been paid for me, through time and sorrow. There is a need in me now to express, critique, submit and record. From there, I am a dragon of my own making; my Phoenix tattoo substantiates that. So, indeed let the rage be the fuel.

 

I breathe fire. I will leave a mark. I must! The generation coming depends on it.

-JBHarris, September 2022

Feeling Like Ida B.: SOCIAL MEDIA LYNCHING

Note: This will be a longer essay on my Patreon.

I, like most adults, am on social media. I have been in Facebook about a decade, Twitter for about 5 years, Instagram for a few years (I forget out about it often), and at the urging of my best friend, am on TikTok. In October, I will be on TikTok for a calendar year.

And what a year!

In the last 90 days, I have been banned on TikTok four to five times. With this last ban, I was banned for about a week (6 days). When I actually got access to my main account (I’ll explain that shortly), it took 2 hours after the allotted time to get access to it. When I did, I was greeted with this:

James Baldwin had a federal file too.

Oh, yes! Your eyes are not deceiving you!

When I saw this, I laughed. I cackled, actually! As I sat and posted content on my main account, I thought about this. In this digital age, in the age of Black people and people of color being targets of oppression, hate speech, public murder and other social abuses, what do most minority people do in order to bring light to these things? They take to social media! What do most people do whom dislike this type of activism do? They block or mass report a particular account to the powers that be.

Which brings me to the tool of main accounts, backup account, and this practice of social media lynching.

Main account. Lots of people on social media have these, it’s not new. This is the account you most frequent, that you use most often, and where people are most likely to find your content. My main account on TikTok is @whatjayesaid.

Backup account. These are the accounts that people have due to careers, family or hobbies. These aren’t often used, but they are used in case you don’t have access to your main account. My backup account on TikTok is @jayesaidwhat. I made my backup account in preparation that I might need it.

Now, let me define what this idea of Social Media Lynching is (this is seen on TikTok alot!):

Social Media Lynching is the practice of suppressing the content/voices of minority people (especially African-American people) whom actively use their voices, or position, to fight racism, discrimination, erasure on a social platform only to be banned (silenced) or have their content suppressed, accounts taken, or platform sanctioned.”

Jennifer Bush-Harris, 9.3.2021

This lead me to this iconic quote from Ida B. Wells Barnett:

If they cannot get us with nooses, they mass report creators whom are ‘problematic’ or ‘violate community guidelines.’ We are punished in this public way, on a public forum, on a free app, because we as Black/African-American people, dare to speak about the issues that effect us individually or a whole!

In putting this warning label on my main account (which as of this posting is over 30,000 followers), is indicative of why most African-American people on TikTok have multiple accounts. Much like those of the Civil Rights Movement had code names, and why in activism circles the rule of thumb is ‘trust, but verify’.

In keeping us quiet, the goal is to punish us, shame us, or scare us into not speaking out anymore!

The strange fruit isn’t just in Southern breezes and trees! It is attached to phone plans and homescreens; updated and integrated into daily life! There are those such as myself with multiple accounts that they use for professional reasons, and the fear of the ‘permanent ban’ is always looming because this happens most often to Black content creators! The fear of having what you worked for, what you built, taken from you because there are White people that don’t like what you say, what you fight against, disliked the information revealed to empower—having that power being taken from you is present!

The lynch mobs have hoods and smart phones!

Through mass reporting, the catalyst of the process of silencing you begins! And once you have been reported on an app (in this case TikTok), even old content being reviewed can to reported, and the bans become more frequent!

Again, my last ban before the one which ended on 9/4/21 (after 6 days), was 6-weeks before, and that was for 3-4 days! And we won’t talk about shadowbanning!

This is not by accident, though. It never is! Silencing African-American people in public ways, threatening space, livelihood, bodily harm (can’t forget the death threats via Direct Messaging!), is not new–social media is new! Like our ancestors before us, grandparents after them, we aren’t going to be stopped by who didn’t like what we have to say. We won’t be stopped by whom trolls, reports, cries or comments because they are emboldened by their racism–thinking it is equivalent to/better than any lived experience they have not lived, or education they cannot hope or desire!

I have a great many opinions–and even write some of them down. Besides, they wouldn’t try to silence me, if I didn’t have something to say.

God & Lil Nas X-Part 1: Overview

“The goal of the artist is to disturb the peace.” -James Baldwin

“You can’t live without crossing somebody’s line.” -Lafayette (Nelson Ellis), from TRUEBLOOD

The people I know cross genders, expressions, and religious backgrounds. I mean, my own father told me that there was no God! One of the closest men in my life is actually an atheist—married to my best friend whom is a recovering Catholic (her words, not mine). I, myself, I came to believe in Christ at 8, baptized at 16, called to ministry at 30, and believe in Christ (born of a virgin, crucified and coming again). In the midst of that faith journey, let me be a little more transparent.

I’ve had premarital sex. Been divorced. Had impure thoughts. Stolen stuff. Lied. Lied on people! I have a past and a God that understands! But God that at my lowest points, when I called Him—He answered me. It is with they adage, and familiarity with my own shortcomings that I make it a mission to not “take God” from people. I don’t have that right—neither do I want it!

Enter Lil Nas X.

With full transparency (and age) I had to admit the reason I didn’t listen to him was he took a piece of Nasir olu dara Jones’s name as his. I knew then I would be too old to listen to him! Yet, in the interest of being an involved parent, when my kids starting singing ‘can’t nobody tell me nothing’? I had to know who this child was!

Enter CALL ME BY YOUR NAME.

I saw the video on YouTube after seeing segments of it on TikTok. After watching it, I won’t lie—I was unnerved! I looked at it through the eyes of a concerned Mama Bear. I thought, “This child is really content on going to Hell, huh?! Why?!”

Then, I took a deep breath…and looked closer.

Who buying these? Not I.

As pretty as the video is, my takeaways are here. But let’s get back to these observations.

The video is unapologetic. The video is trolling Christianity and Christians. It is a middle finger to the gospel of Jesus Christ. It just is. However, beneath the trolling, there is more there. And it is indicative of Newton’s third law of motion:

“For every action, there is an equal, opposite reaction.”

This video is just that. Am I bothered by the video? No. Did the video shake my belief in Christ? No. Would I let my kids watch it? No. Lil Nas X is trolling Christianity through making himself a Satan caricature the vehicle/ vessel to do it. Why? Look at what he said (first image)! How would you feel if an institution with so much power and influence continued to condemn you, and others like you, because its doctrine said it could? Conversely, offering grace, love and hope to everyone else—BUT NOT YOU?

I’ll wait.

He got the entire planet pressed in less than five minutes—literally! He, through the vessel of art, is owning all that he is, and embracing the dogma of homosexuality being equated to the only irredeemable sin worthy of Hell! The only one we need to clobber on, be the only concern the church has. He has fully embraced this and declared (through his art!), “If imma go to Hell like y’all say? I’m going to do what I want, and when I get there? Imma take that bitch over!

With that level of don’t careish, he has declared what he wants and marketing it as such (see the the limited edition numbers blood Nikes which are $1000!)! This is game, and Lil Nas X is looking at all these pressed Christians…and laughing! It’s classic rage farming—and trolls do this!

The question we need to ask is, what is the church going to do? Not about Lil Nas X, but how the church treats ALL God’s children we are supposed to love, teach and instruct?

This is bigger than a video.

Thoughts From A Marvel Girl…

*Note: These are only my opinions. Powered by the love of these ink and paper people—and my love of a good story.

I know that the world is in complete awe of the Justice League and the brilliance of Zack Snyder. Even at the time of this posting, the overlords of DC Comics have decided that they have no interest in developing a Snyder-influenced DCEU.

This is why DC will never be as good a MARVEL.

Period. Full stop. *Here is why.

Aside from DC’s most powerful character having roots in a Nitzche ideology, the character development you see in MARVEL COMICS is not seen here. The most developed character is still Batman—and what a dope character he is! Yet, what other character has more development?

Don’t worry. I’ll wait.

Even with the success of Wonder Woman, unless you are a student of the source material and history, you would know two things:

One. Wonder Woman is also Black. Her name? Nubia. When will she be introduced? Don’t worry. I’m still waiting.

Two. The Amazons as a culture are not real, but there were fierce female warriors all over antiquity. As dope as this is, it only points to the casual erasure of women all over the world!

The affinity I have to and towards MARVEL is based in storytelling. I have always loved the storytelling! I loved the development, the continuing of story—I was invested (moreso!) after seeing characters that looked like me. Or felt as I did! Black. Awkward. Outsiders, even! I mean I cannot tell you how my ex boyfriend Dominic called me, Rogue—and himself, Gambit. And when a young man I was in love with nicknamed me MJ (after I nicknamed him Peter Parker!)? It was over.

What I wish the DCEU would realize is that character development matters! Affinity to characters matter! Representation still matters (shouts to the great job they did on Cyborg!)? You can’t compete without good story! It’s it’s not possible! You can’t just make ALL the Batman movies, man! It’s not possible (or desirable!).

Character development still matters. Storyboard artists still matter! The fact the DC overlords haven’t gotten that yet, after damn year being a century old? And just now discovering the contribution of Bill Finger (Bob Kane didn’t create all of Batman alone! Did you know that?! Thanks Hulu and Hollywood Graveyard on YouTube!)?

The writer, Kevin Smith, said comics are our modern day mythology. And I agree! The fact this industry has lasted this long is monumental! There are generations who have bonded over the lives of these ink and paper people—whether they are born of DC or MARVEL. Story still matters! Engagement of the audience still matters! Even reimagining of characters matters.

DC has the potential to do so much better. But will they? I’ll wait.

Thinking I’m Grown: Shoes (How I Move In The World)

Give a girl the right pair of shoes, and she can conquer the world.” -Bette Midler

I believe this quote with my core self. I believe the right pair of shoes, given the right pair of shoes, a woman can go anywhere and do anything. Especially, if she has more than shoes to open the door.

I’m a tall girl. I have this gift of words and speech. I also know as a Black girl moving through the world with a ‘White girl name’ brings a certain level of privilege and scorn with it. I am grateful for the ability to code-switch. I am grateful for the small privilege being the smart Black girl ‘with the White girl name’ has granted. With that all that said, I know that the right shoes given to a Black girl does three things: lead, follow, kick in a door.

Let me explain how.

Lead. I believe that leaders wear sneakers and stilettos. I believe every arena in this life requires a shoe. You need to be able to transition in order to reach whom your must, where you must and when you must. Not every situation requires Nikes, but it’s good to have a pair. Some people need to identify themselves in the face of the people leading the world. Some people need to see that you need shoes that are durable and comfortable to do not so comfortable work. Like teaching. Or organizing. Or supporting. Or running with the people who cannot run or walk for themselves. Real leadership must be accessible.

Not every situation requires as YSL slingback heel–but it might be dope to have a pair so people hear you coming. There are certain rooms which require you to be similar in order to be noticed—a uniform if you will. There are certain situations in order to be taken seriously, you must be adapt to the requirement of the situation. My sneakers don’t always translate a need or exactly what I bring to the table. Sometimes, to be taken seriously, I change the shoe. Why the shoe? The shoe reshapes the whole outfit! It conveys effort, projects confidence and makes you stand up straight. Leadership requires the ability to read a room in order to get things done as they should be.

Follow. Influential people often leave trails. They leave evidence of success, or failure. If they are exceptional they leave a blueprint as well. They leave you a trail which you are able to follow–but you will need both stamina and bravery to complete such a journey. It’s not about filling shoes, no. One must be able to find and fill their own pair to follow behind. The path towards taking over the world in any arena is not about becoming a carbon copy or imitation. It is about believing in yourself while knowing you are not the bastion of all knowledge! It is about believing in someone else, almost as much as you believe in yourself. You need heroes–not idols. A hero gives space and plans–and idol will never know you are there. Choose wisely.

Kick In A Door. The right shoes have allowed me to kick in doors which I may not truly be able to stay in. I have been organizer and worker, and mogul and director. I have been the one advocating for someone else, making space for another while the same not being done for me. I understand in those acts, at this point, I must be able to withstand the slings and arrows of outrageous fortune in order to do what must be done. I have to lead by example while tempering ambition with patience. I am learning to be gracious in all things, and loud when needed. Some people hate to see you, but cannot ignore the sound of you coming. As I kick in doors, I bring people with me! I learn and build as a climb. I network. I serve. I direct. And most importantly, I remember.

I remember I have not made it to this point alone, and will never be alone. I have learned that “No” is never a final answer, it requires a different approach. It sometimes helps to remember if there is a door which won’t open for you, build you own. You cannot–I cannot–be afraid to either fail, or try. I have enough moxie to know I ain’t about to stop…so I will not fail. Psalms 46:5 says so.

Thinking I’m Grown: Pants (Fashion & Style)


My mother loves shoes.

I, being my mother’s daughter, loves shoes. And bags. I really love bags. I remember my first purse! It was this small canvas bag (a cross-body bag, as the kids would say now) with a rainbow strap. I was 5-years-old. I remember being fascinated by how my mother and aunts transformed from just ‘being in the house’ to how they went outside into the world.

I loved playing in my mother’s heels. I loved playing in her makeup to my own detriment sometimes. I also remember being so mad at my Aunt Linda I put water in her eye shadow and ruined it. Her son, my cousin saw me and I never did that again. Trust, she made sure I wouldn’t.

The thing that made me love fashion though–magazines, Different World, Family Matters and the Grande Dame of 1990’s television, Lisa Turtle (Lark Voorhies). Now, remember–I’m an 80’s baby! I remember when what is known now as ‘hip-hop fashion’ became more mainstream. I remember wanting to go to FIT because Lisa Turtle was going! I remember looking at the girls who looked like me in Essence, Word Up!, Hip- Hop Beat magazine and wanted to dress like the girls I saw.

I wanted the Tommy Hilfiger Coat, and Nautica jacket and the door knocker earrings. Yet, I had the parents that didn’t let me really have all that. But the good thing is I still had Kim from Different World, and Laura Winslow from Family Matters. And My So-Called Life (young Jared Leto was–ooh, Lord!) made me wish I was a high school sophomore as an 8th grader so I could dye my hair red.

It was 8th grade where I started to put this thing called a style together. Aside from writing, fashion gave me a place to be creative. It gave me a place to make my way in the world–always a wonderful thing. I mean, I wore short and tights together because I saw Laura Winslow and Clarissa Darling from Clarissa Explains It All do it! And when Clueless came out? YAS! I started wearing heels and jeans since I had seen Clueless and My So-Called Life. I mean, it was the mid-1990’s! As Black girl going to public school, you really couldn’t veer too far left or right–but I did. And I have had heels ever since. My go to look before kids involved these things: heels, jeans, a tee and earrings.

Fashion was a my safe place! And makeup and outlet! It was Junior and Senior year of high school where I started to become more confident in what I wanted. This is when deliA’s was still a cool place for girls of my era to shop at (Thank’s Sassy/JANE Magazine!). I wasn’t so concerned about something having a label. I was more concerned about it looking cool. Flat out!

It was after high school, when I really got into make-up. This is where getting ready to go somewhere became an event. Getting ready was an event–just like it was when my mother got ready. I started to get my nails done in a salon when I was 19, and it was on from there! I felt elegant, moreso. To this day, there is something about a full set of nails and a bomb outfit with my hoop earrings which make me feel like I am so unstoppable!

I think once a Black girl begins to develop her own style, it’s like opening a treasure chest. There are features of your own physical form you saw in younger pictures of your mother, grandmother or aunts. It’s like going into a time machine! I remember when wide-leg jeans were in fashion: my mom told me that they reminded her of bell bottoms. My Aunt Linda told me they were bell bottoms ‘they used to wear.’ From the jeans, came the hats, and from the hats, the bags. From there, my mom reminded me of my ‘cute Easter dresses’. I remember how pretty I felt being that dolled up for the holiday. Yes, the shoes had always been a staple.

I found out my mom loves scarves and big earrings. I found out that my Aunt Valarie thinks that every woman needs a signature lipstick. I found out that my mother is a fan of Estee Lauder: White Linen in the Spring and Summer; Beautiful in the Fall and Winter. “Every woman needs a signature scent, Jennifer.” And after a few trial and error, I have 3 actually.

Naked by URBAN DECAY.
Gucci Guilty.
Yellow Diamonds by VERSACE.

Fashion for me was expression of the highest sort. Finding more and more of myself every time I found myself liking a shoe, or a bag, or wanted to change my hair. I found out my grandmother didn’t get her first pair of hosiery till she was in her twenties–yet, my mother made sure when I wore dresses or skirts I had slips and ‘stockings (the old school word for ‘pantyhose’ or ‘hosiery’).

The beautiful thing is now, I get to give that same energy and gift of discovery to my daughters. My youngest already loves shoes. Especially, my heels.

[Image by Typorama]

Thinking I’m Grown: Chest (My Body & How I Accept It)

Terry Lee Laney, Junior, the cousin of this girl with the longest name I knew as a 10-year-old, Sandranita Carson, was the first boy to tell me I was flat-chested. There are dynamics that come in with fifth grade I believe that set the stage for how you will handle transitions anywhere else in this life: differences will always get you seen. It was in Ms. Grant’s fifth grade classroom in Lowell Elementary School that I knew one thing–boys like breasts. Some boy would always be looking at my chest. Why? I was yet to find out. But his cousin, the girl with the longest name that I will ever know at age 10? She was about a C-D cup then! When I was a 10-year-old girl, it wasn’t odd; I knew what breasts were. And I also knew those were things I didn’t have.

I didn’t develop any sort of ‘thickness’ as the kids call it now until I was in my late teens-early twenties. And when I had my first child? That’s when everything began to fill in and round out! I mean I could were the dresses I wanted and there be something there to put in it. I mean, I had no idea how to embrace my body before–so to add childbirth to it?! I was not this vixen I wanted to be.

My favorite aunt, Linda, told me “All you had all your life was legs and ass.” Well, these are facts. Big facts, really. But I had always wanted the hour-glass Mae West figure. I wanted that visible sex appeal–I wanted to be what I told one suitor ‘the waking wet dream.’ But to get there? To get to the point I could own I was sexy–not just beautiful, but sexy–that took for real time. This took embracing ever part of my form and realizing if I never got another thing added to me, I was sexy. I was able to call myself beautiful. I was desirable–and nothing was wrong with me! I was worthy of a healthy relationship. I was worthy of being intimate with a man and get pleasure for those experiences.

I had to determine how I accepted my own body could not be dependent on how the world saw my body. I had to start to love me. I had to love me beyond being funny, or smart or being compassionate. All these things are good, yes. I am glad all these qualities are present inside me to be given to the world. But that self-love–that embracing my own thighs, legs, lips and eyes with everything in the middle? That hit different, fam. Besides, from my personal list? I’ve never had any complaints…

Why James Baldwin Was Right… About Everything

Author note:  I will be mentioning the N-word in conjunction to my own deciphering of James Baldwin’s words.


Here lately, I thought (read: meditated, studied, ruminated) on every quote, and damn near everything I have ever known or read about James Arthur Baldwin. I find myself referring to him as I do along with my favorite scriptures. I find myself in my dark, artistic places thinking “What would my Father Oracle say?” I find myself thinking in matters of social change, marcolevel crazy, and crippling self-doubt repeating that question.

In this era of COVID-19, neo-fascism disguised as conservative Christianity, and the utter, rampant erasure of anything Black, I have begun to be a more adamant student of Baldwin. His work having a new power, necessary in the time we live in. The thing I feel more adamant about as I have looked at his work is the concept of White American ‘needing a nigger.’  Now, if you are familiar with Baldwin, even on a casual basis or knowledge, you know how he has felt about this word, as well as it’s application to his life. Don’t believe me? Look at this quote (from brooklynrail.org):

“Another important record of Baldwin on film, a particular scene in Hammer is singular in its emotional and metaphysical clarity: Baldwin, seated, dressed in white, a kerchief tied carefully around his neck, considers the existential roots “of something in this country called the nigger.” He continues that he had to know early in life that what was being described had nothing to do with him. He knew, he insists, despite all that had been done to him, that “what you were describing was not me.” If it is true, as Baldwin began, that “what you say about me reveals you,” and since “you” had invented this figure and felt the need to invest black people with all those sedimented associations then, Baldwin argues, you are in fact the nigger…”


Think about this!


This word, which has been used to dehumanize, murder, oppress and dispossess an entire race of people–because it is a social construct! A construct needed by a certain class of people whom have no other power to change their lives, take responsibility for problems they have causes, and believe that to oppress another person–making them the consistent scapegoat–is needed. This is how white supremacy continues to reproduce–powered by this lie!

It is the lie of superiority of white folk over everything which needs a ‘nigger’ to feel powerful. To feel righteous, and worthy. Just like Coretta Scott King said freedom has be won in every generation, white supremacy must be retaught and reinforced with every generation! As Baldwin said often through his life that he was a man–never a ‘nigger’! What a powerful think to understand! What a powerful thing to reveal! What a think to remember!

You have to know that what Baldwin spoke about in the movie I AM NOT YOUR NEGRO, is/was a foreshadowing of what you are seeing now! This country needs ‘niggers’ because it thrives on power and usurpation! It needs a vulnerable, non-human subclass to subjugate in order to feel superior! In order consolidate resources and wealth! This is not a new tacti, Oracles! To name something is to control it, is to rule it is to declare authority over it! Why do you think now is when we see this resurgence of behavior our grandparents saw!  Niggers are not entitled to equality, fairness or the pursuit of happiness.

Niggers are not people. Catch that. Ergo, as a person, you are entitled to all of these things! And those whom subscribe to white supremacy and the romantic notion of power, need to feel superior to someone else–because they have no other power to assert or wield! And therein lies the struggle.

When I ruminate on this, I have to remember that I, too, am not a nigger! Neither are my children. Neither are any of the beautiful Black folk I know. And to have the words of Baldwin shore me up, reminding of my value, my power and need to be in the world? I can go on.

In the face of COVID-19, the protesting of folk whom don’t wanna stay inside, incompetent leadership, and trolls believing in themselves so tough they carry guns to state capitals, who spit that name at me as if I will break about it? Nah, son. I say, with my hoop earrings, mask and afro, and say, “You’re the nigger baby, not me!”


























Thinking I’m Grown: Shoulders (How I Stand)

I remember the first time where I realized I was tall. Like, when I knew I was tall. Oddly, I was never thee tallest girl in my class! The most uncomfortable thing about being tall was that people were always looking at me. Being soft spoken on top that? I was a magnet for bullying when I got to middle school and high school.

I was more awkward than the Awkward Black Girl the brilliant Issa Rae says she was! I mean I stuck out everywhere! Being a tall girl, with unmanagable hair and glasses didn’t make me forgettable from 6th through 8th grade. I had bigger things to worry about (back then) than fashion and hair! The fact is, I was over or about 5 feet tall in 5th grade. By the time I graduated high school, I was 5’10”.

The other thing that made me so much more self-conscious was the fact I had excema. This means I have sensitive skin, and it is prone to rashes. What I learned later in my teenage years was the condition is aggravated by heat and stress. I had rashes on my body in some form or another on my body from the time I was 5 or 6.

I never felt totally comfortable in my skin. I never felt good enough to truly only my body as it was–flaws and all. And when I began to? I was told the good and better thing to do would be to cover up. I was told that showing off my body (at the time mid-drift shirts had come back into fashion), was not the thing to do. Ergo, ‘only fast girls where things like that.’ Even when I began to go out clubbing and dating, I didn’t wear a lot of revealing clothes! Not that I was a prude with no fashion sense, I wasn’t comfortable–in my own skin, or showing it another.

In being a mother now, I have had to subdue that fear. I had to be able to be confident in myself in order to give the same confidence to my children–namely daughters. I had to realize the mean comments told to me by meaner children, and uglier boys was had to be uprooted. I had to remember that children are children, and children are mean in certain contexts or situations. I remember there was a boy named, Jarron, during my Junior year of high school that called me ugly in the hallway. I remembered this other boy named Tony that called the ‘fashion police’ on me because of an outfit I wore and followed me up the breezeway, pretending to be a siren behind me.

Looking back at this through the vantage point of over 20 years, I can see how dumb these little dusty boys were! I can see how people whom have nothing else to do or which will await them in life, will try to hurt everyone else around them. As they do so, they will think nothing of it. Yet, these are the same people whom will try and friend you on Facebook, or see you at the high school reunion and think nothing of speaking to you. Why? They will claim “That was so long ago! I don’t even think about it!”

Must be nice, I suppose. What you did to someone being ‘funny’ causes someone to kill themselves or withdraw, and then you think nothing about it? It is those experiences also which allowed to keep my friendship circle small, and enjoy my own company.

What being tall, being a target and being awkward taught me radical empathy. It taught me to be patient, and value real friendship. It taught me to stop slouching, especially when it came to my Senior year. It allowed me to think beyond the ‘4 best years of my life.’ This situation, in this body, allowed me to stand up for myself as well–and making my space hard to get into.

[image Typorama]